Writing—
poetry
[published]
[published]
Writing—
art criticism + review [published]
Queer Uses of Colour: A Tinted Hermeneutics
Artlink Magazine, Vol. 39, No. 1, Adelaide, South Australia, March 2019
Radical Living Archives and Trans* Embodiment: Shu Lea Cheang's Brandon
Transgender Studies Quarterly Vol. 2, No. 4, Duke University Press, North Carolina (USA), November 2015
My Mother’s Labour: Darcey Bella Arnold
un extended, September 2018
I, Us, Them: A dark triad, radiating out from a centre and closing in Art+Australia Online, August 2018
Residency Projects, Boorhaman, Victoria
Art+Australia Online, February 2018
Cruisings of the recent TarraWarra Biennial
Art+Australia Online, November 2016
Re: Sweeping Exchanges: Notes on the Feminist Body Politic
un magazine 9.1, June 2015
Danny Butt - Colonial Hospitality: Learning to Host, Learning to Visit Guest Lecture, Sunday 24th May, 2015 for Forms of Encounter and Exchange Field School at Laughing Waters, Eltham
How's the Weather We're Having Part I - Grievous Bodily Collage
Carets and Sticks (USA)
November 2014
Art After The End of Philosophy - Part II: Sreshta Rit Premnath's Storey's End
Carets and Sticks (USA)
June 2014
Art After The End of Philosophy - Part I: Hito Steyerl's Adorno's Grey
Carets and Sticks (USA)
June 2014
Grey / Dasein: Ontology of a Colour Published as part of End Paper by Polar Space, 2014
Partially Feigned Mysticism and Pot Shamanism: Shana Moulton at the Grand Luxe Hall, Western Front, Vancouver
Decoy Magazine (CA)
June 2013
BRAIDS: Plaiting for Parity, The Way Cornrows Hug Your Head: Conversations with Rua Minx (Donna Huanca), Aja Rose Bond and Shaun Dacey at Access Gallery, Vancouver
Decoy Magazine (CA)
March 2013
How Did I Get Here?: The Fronts and Means of Social Practices
Decoy Magazine (CA)
January 2013
Das Platforms (AUS)
February 2013
Corroborative Spaces: Part II
Bruce Nauman: Room With My Soul Left Out, Room That Does Not Care
Das Platforms (AUS)
October 2012
Corroborative Spaces: Part I
Mike Nelson: space that saw (platform for a performance in two parts)
Das Platforms (AUS)
October 2012
Artlink Magazine, Vol. 39, No. 1, Adelaide, South Australia, March 2019
Radical Living Archives and Trans* Embodiment: Shu Lea Cheang's Brandon
Transgender Studies Quarterly Vol. 2, No. 4, Duke University Press, North Carolina (USA), November 2015
My Mother’s Labour: Darcey Bella Arnold
un extended, September 2018
I, Us, Them: A dark triad, radiating out from a centre and closing in Art+Australia Online, August 2018
Residency Projects, Boorhaman, Victoria
Art+Australia Online, February 2018
Cruisings of the recent TarraWarra Biennial
Art+Australia Online, November 2016
Re: Sweeping Exchanges: Notes on the Feminist Body Politic
un magazine 9.1, June 2015
Danny Butt - Colonial Hospitality: Learning to Host, Learning to Visit Guest Lecture, Sunday 24th May, 2015 for Forms of Encounter and Exchange Field School at Laughing Waters, Eltham
How's the Weather We're Having Part I - Grievous Bodily Collage
Carets and Sticks (USA)
November 2014
Art After The End of Philosophy - Part II: Sreshta Rit Premnath's Storey's End
Carets and Sticks (USA)
June 2014
Art After The End of Philosophy - Part I: Hito Steyerl's Adorno's Grey
Carets and Sticks (USA)
June 2014
Grey / Dasein: Ontology of a Colour Published as part of End Paper by Polar Space, 2014
Partially Feigned Mysticism and Pot Shamanism: Shana Moulton at the Grand Luxe Hall, Western Front, Vancouver
Decoy Magazine (CA)
June 2013
BRAIDS: Plaiting for Parity, The Way Cornrows Hug Your Head: Conversations with Rua Minx (Donna Huanca), Aja Rose Bond and Shaun Dacey at Access Gallery, Vancouver
Decoy Magazine (CA)
March 2013
How Did I Get Here?: The Fronts and Means of Social Practices
Decoy Magazine (CA)
January 2013
Das Platforms (AUS)
February 2013
Corroborative Spaces: Part II
Bruce Nauman: Room With My Soul Left Out, Room That Does Not Care
Das Platforms (AUS)
October 2012
Corroborative Spaces: Part I
Mike Nelson: space that saw (platform for a performance in two parts)
Das Platforms (AUS)
October 2012
Writing—
commissions + catalogue essays
In Material Per Versions—Part I: A Cappella for Powering Partic[ip]les
Channels Festival 2019: International Biennial of Video Art, Melbourne, August 2019
[FRAME. MIX. CRUX] - Antonia Sellbach, Frameworks
Nicholas Thompson Gallery, Melbourne July 3 – 21 2019
Wild Rocks and Tamed Pathways: Christine Willcocks
Flinders Lane Gallery, Melbourne
July 18 – August 5 2017
Thirty Million Carbon Stories, Stacked to Slender Crest (on the exhibition COAL by Hartmut Veit)
Victorian College of the Arts, Melboure February 15-17 2017
the scribe notes, slight: a conversation between Abbra Kotlarczyk and Kate Hill
Bus Projects, May 2016
Layers of contingency, or, the dusting of modern timepieces: James Carey
KINGS Artist Run Gallery, Melbourne
October 2015
KORE Belief Systems: Ben Sendy-Smithers
KINGS Artist Run Gallery, Melbourne
September 2015
Some of them got the first look
KINGS Artist Run Gallery, Melbourne July 2015
Channels Festival 2019: International Biennial of Video Art, Melbourne, August 2019
[FRAME. MIX. CRUX] - Antonia Sellbach, Frameworks
Nicholas Thompson Gallery, Melbourne July 3 – 21 2019
Wild Rocks and Tamed Pathways: Christine Willcocks
Flinders Lane Gallery, Melbourne
July 18 – August 5 2017
Thirty Million Carbon Stories, Stacked to Slender Crest (on the exhibition COAL by Hartmut Veit)
Victorian College of the Arts, Melboure February 15-17 2017
the scribe notes, slight: a conversation between Abbra Kotlarczyk and Kate Hill
Bus Projects, May 2016
Layers of contingency, or, the dusting of modern timepieces: James Carey
KINGS Artist Run Gallery, Melbourne
October 2015
KORE Belief Systems: Ben Sendy-Smithers
KINGS Artist Run Gallery, Melbourne
September 2015
Some of them got the first look
KINGS Artist Run Gallery, Melbourne July 2015
poetry
Eponymous Tree [excerpt]
Plumwood Mountain Journal 12.01: The Braided GiftGuest edited by Shari Lynelle & Lucy Van
November 2025
My Kathy Acker
Tell Me Like You Mean It 6Guest edited by B Gilmartin
Australian Poetry x Cordite Poetry
June 2023
House & Garden Renos
Australian Poetry Journal 12.2: suite, sequenceGuest edited by Emily Stewart
Australian Poetry
June 2023
3 poems
Minarets #13Edited by Chris Holdaway and Lauren Strain
Compound Press, Aotearoa
December 2022
To touch or strike a fondant ground
reading/performance by Chi Tran and Rosie Isaac for Mega-Phone Mono-Poly, Liquid Architecture,Bus Projects, West Space and Collingwood Yards courtyard
Friday December 9th, 2022
Link to event / Download text
Micröbius Tract(ion)
with Debris Facility Pty Ltdin Australian Poetry’s Best of Australian Poems 2021
Guest edited by Ellen van Neerven and Toby Fitch
December 2021
A sonorous draft; a lexicon of windjamming
Limited edition publication produced on the occassion of the exhibition at BLINDISDE Gallery, Naarm/MelbourneJune-July 2021
Micröbius Tract(ion)
with Debris Facility Pty Ltdun Magazine 15.1: SURPLUS
edited by Snack Syndicate (Andrew Brooks and Astrid Lorange)
June 2021
A list of doors and some of their potential functions
A poetic response to Briony Gallagan’s Open Every Door, Alfred Deakin Place, Ballarat, VictoriaNovember 2020
Breath Work
Lieu Journal Issue 3: PeaceAugust 2020
sonar for conception
Cordite Poetry Review: 92, NO THEME VIIIAugust 2019
Crowning’s Story, Galore
Commissioned as part of Venus in Thorns group exhibition, curated by Jake Treacy as part of Midsumma Festival 2019-20, Trocadero Art Space, Footscray, Naarm/Melbourne®
art criticism + review
Geological pit stops: Kate Hill and Isadora Vaughan
Artlink Magazine, Vol. 40, No. 1, Adelaide, South Australia, March 2020Queer Uses of Colour: A Tinted Hermeneutics
Artlink Magazine, Vol. 39, No. 1, Adelaide, South Australia, March 2019Radical Living Archives and Trans* Embodiment: Shu Lea Cheang's Brandon
Transgender Studies Quarterly Vol. 2, No. 4, Duke University Press, North Carolina (USA), November 2015My Mother’s Labour: Darcey Bella Arnold
un Extended, September 2018I, Us, Them: A dark triad, radiating out from a centre and closing in
Art+Australia Online, August 2018Residency Projects, Boorhaman, Victoria
Art+Australia Online, February 2018Cruisings of the recent TarraWarra Biennial
Art+Australia Online, November 2016Re: Sweeping Exchanges: Notes on the Feminist Body Politic
un Magazine 9.1, June 2015Danny Butt - Colonial Hospitality: Learning to Host, Learning to Visit
Guest Lecture, Sunday 24th May, 2015 for Forms of Encounter and Exchange Field School at Laughing Waters, ElthamHow's the Weather We're Having Part I - Grievous Bodily Collage
Carets and Sticks (USA)November 2014
Art After The End of Philosophy - Part II: Sreshta Rit Premnath's Storey's End
Carets and Sticks (USA)June 2014
Art After The End of Philosophy - Part I: Hito Steyerl's Adorno's Grey
Carets and Sticks (USA)June 2014
Grey / Dasein: Ontology of a Colour
Published as part of End Paper by Polar Space, 2014Partially Feigned Mysticism and Pot Shamanism: Shana Moulton at the Grand Luxe Hall, Western Front, Vancouver
Decoy Magazine (CA) June 2013
BRAIDS: Plaiting for Parity, The Way Cornrows Hug Your Head: Conversations with Rua Minx (Donna Huanca), Aja Rose Bond and Shaun Dacey at Access Gallery, Vancouver
Decoy Magazine (CA) March 2013
How Did I Get Here?: The Fronts and Means of Social Practices
Decoy Magazine (CA) January 2013
Das Platforms (AUS)
February 2013
Corroborative Spaces: Part II
Bruce Nauman: Room With My Soul Left Out, Room That Does Not Care
Das Platforms (AUS)October 2012
Corroborative Spaces: Part I
Mike Nelson: space that saw (platform for a performance in two parts)
Das Platforms (AUS)October 2012
commissions + catalogue essays
Labour as compost: Reimagining the conditions and practices of m_othering
Commissioned essay as part of Jahnne Pasco-White: KIN
Published by Art Ink and Unlikely Publishing, Melbourne/Naarm, February 2021
[read essays as part of Unlikely E-book 03]
Isadora Vaughan: Mud mapping, from bifurcation to canopy
Catalogue essay as part of Overlapping Magisteria: The 2020 Macfarlane CommissionsAustralian Centre for Contemporary Art (ACCA), 2020-21.
What alerts, alters
Publication text for There are no failures, everything is working, Artspace Aotearoa, 2019.A fontanelle opens; we figure absences
Catalogue text for A message in the collar, KINGS Artist Run Gallery, HOBIENNALE 2019, curated by Jeremy Eaton and Katie Ryan.In Material Per Versions—Part I: A Cappella for Powering Partic[ip]les
Channels Festival 2019: International Biennial of Video Art, Melbourne, August 2019In Material Per Versions—Part II: Autobiography of an Afterlife
BLINDSIDE: Satellite 2019: becoming [in]determinate, November 1, 2019 – January 31, 2020[FRAME. MIX. CRUX] - Antonia Sellbach, Frameworks
Nicholas Thompson Gallery, Melbourne July 3 – 21 2019Wild Rocks and Tamed Pathways: Christine Willcocks
Flinders Lane Gallery, MelbourneJuly 18 – August 5 2017
Thirty Million Carbon Stories, Stacked to Slender Crest (on the exhibition COAL by Hartmut Veit)
Victorian College of the Arts, Melbourne, February 15-17 2017the scribe notes, slight: a conversation between Abbra Kotlarczyk and Kate Hill
Bus Projects, May 2016Layers of contingency, or, the dusting of modern timepieces: James Carey
KINGS Artist Run Gallery, MelbourneOctober 2015
KORE Belief Systems: Ben Sendy-Smithers
KINGS Artist Run Gallery, Melbourne September 2015
Some of them got the first look
KINGS Artist Run Gallery, Melbourne July 2015
