Writing—
poetry
[published]
[published]
Writing—
art criticism + review [published]
Queer Uses of Colour: A Tinted Hermeneutics
Artlink Magazine, Vol. 39, No. 1, Adelaide, South Australia, March 2019
Radical Living Archives and Trans* Embodiment: Shu Lea Cheang's Brandon
Transgender Studies Quarterly Vol. 2, No. 4, Duke University Press, North Carolina (USA), November 2015
My Mother’s Labour: Darcey Bella Arnold
un extended, September 2018
I, Us, Them: A dark triad, radiating out from a centre and closing in Art+Australia Online, August 2018
Residency Projects, Boorhaman, Victoria
Art+Australia Online, February 2018
Cruisings of the recent TarraWarra Biennial
Art+Australia Online, November 2016
Re: Sweeping Exchanges: Notes on the Feminist Body Politic
un magazine 9.1, June 2015
Danny Butt - Colonial Hospitality: Learning to Host, Learning to Visit Guest Lecture, Sunday 24th May, 2015 for Forms of Encounter and Exchange Field School at Laughing Waters, Eltham
How's the Weather We're Having Part I - Grievous Bodily Collage
Carets and Sticks (USA)
November 2014
Art After The End of Philosophy - Part II: Sreshta Rit Premnath's Storey's End
Carets and Sticks (USA)
June 2014
Art After The End of Philosophy - Part I: Hito Steyerl's Adorno's Grey
Carets and Sticks (USA)
June 2014
Grey / Dasein: Ontology of a Colour Published as part of End Paper by Polar Space, 2014
Partially Feigned Mysticism and Pot Shamanism: Shana Moulton at the Grand Luxe Hall, Western Front, Vancouver
Decoy Magazine (CA)
June 2013
BRAIDS: Plaiting for Parity, The Way Cornrows Hug Your Head: Conversations with Rua Minx (Donna Huanca), Aja Rose Bond and Shaun Dacey at Access Gallery, Vancouver
Decoy Magazine (CA)
March 2013
How Did I Get Here?: The Fronts and Means of Social Practices
Decoy Magazine (CA)
January 2013
Das Platforms (AUS)
February 2013
Corroborative Spaces: Part II
Bruce Nauman: Room With My Soul Left Out, Room That Does Not Care
Das Platforms (AUS)
October 2012
Corroborative Spaces: Part I
Mike Nelson: space that saw (platform for a performance in two parts)
Das Platforms (AUS)
October 2012
Artlink Magazine, Vol. 39, No. 1, Adelaide, South Australia, March 2019
Radical Living Archives and Trans* Embodiment: Shu Lea Cheang's Brandon
Transgender Studies Quarterly Vol. 2, No. 4, Duke University Press, North Carolina (USA), November 2015
My Mother’s Labour: Darcey Bella Arnold
un extended, September 2018
I, Us, Them: A dark triad, radiating out from a centre and closing in Art+Australia Online, August 2018
Residency Projects, Boorhaman, Victoria
Art+Australia Online, February 2018
Cruisings of the recent TarraWarra Biennial
Art+Australia Online, November 2016
Re: Sweeping Exchanges: Notes on the Feminist Body Politic
un magazine 9.1, June 2015
Danny Butt - Colonial Hospitality: Learning to Host, Learning to Visit Guest Lecture, Sunday 24th May, 2015 for Forms of Encounter and Exchange Field School at Laughing Waters, Eltham
How's the Weather We're Having Part I - Grievous Bodily Collage
Carets and Sticks (USA)
November 2014
Art After The End of Philosophy - Part II: Sreshta Rit Premnath's Storey's End
Carets and Sticks (USA)
June 2014
Art After The End of Philosophy - Part I: Hito Steyerl's Adorno's Grey
Carets and Sticks (USA)
June 2014
Grey / Dasein: Ontology of a Colour Published as part of End Paper by Polar Space, 2014
Partially Feigned Mysticism and Pot Shamanism: Shana Moulton at the Grand Luxe Hall, Western Front, Vancouver
Decoy Magazine (CA)
June 2013
BRAIDS: Plaiting for Parity, The Way Cornrows Hug Your Head: Conversations with Rua Minx (Donna Huanca), Aja Rose Bond and Shaun Dacey at Access Gallery, Vancouver
Decoy Magazine (CA)
March 2013
How Did I Get Here?: The Fronts and Means of Social Practices
Decoy Magazine (CA)
January 2013
Das Platforms (AUS)
February 2013
Corroborative Spaces: Part II
Bruce Nauman: Room With My Soul Left Out, Room That Does Not Care
Das Platforms (AUS)
October 2012
Corroborative Spaces: Part I
Mike Nelson: space that saw (platform for a performance in two parts)
Das Platforms (AUS)
October 2012
Writing—
commissions + catalogue essays
In Material Per Versions—Part I: A Cappella for Powering Partic[ip]les
Channels Festival 2019: International Biennial of Video Art, Melbourne, August 2019
[FRAME. MIX. CRUX] - Antonia Sellbach, Frameworks
Nicholas Thompson Gallery, Melbourne July 3 – 21 2019
Wild Rocks and Tamed Pathways: Christine Willcocks
Flinders Lane Gallery, Melbourne
July 18 – August 5 2017
Thirty Million Carbon Stories, Stacked to Slender Crest (on the exhibition COAL by Hartmut Veit)
Victorian College of the Arts, Melboure February 15-17 2017
the scribe notes, slight: a conversation between Abbra Kotlarczyk and Kate Hill
Bus Projects, May 2016
Layers of contingency, or, the dusting of modern timepieces: James Carey
KINGS Artist Run Gallery, Melbourne
October 2015
KORE Belief Systems: Ben Sendy-Smithers
KINGS Artist Run Gallery, Melbourne
September 2015
Some of them got the first look
KINGS Artist Run Gallery, Melbourne July 2015
Channels Festival 2019: International Biennial of Video Art, Melbourne, August 2019
[FRAME. MIX. CRUX] - Antonia Sellbach, Frameworks
Nicholas Thompson Gallery, Melbourne July 3 – 21 2019
Wild Rocks and Tamed Pathways: Christine Willcocks
Flinders Lane Gallery, Melbourne
July 18 – August 5 2017
Thirty Million Carbon Stories, Stacked to Slender Crest (on the exhibition COAL by Hartmut Veit)
Victorian College of the Arts, Melboure February 15-17 2017
the scribe notes, slight: a conversation between Abbra Kotlarczyk and Kate Hill
Bus Projects, May 2016
Layers of contingency, or, the dusting of modern timepieces: James Carey
KINGS Artist Run Gallery, Melbourne
October 2015
KORE Belief Systems: Ben Sendy-Smithers
KINGS Artist Run Gallery, Melbourne
September 2015
Some of them got the first look
KINGS Artist Run Gallery, Melbourne July 2015
poetry
My Kathy Acker
Tell Me Like You Mean It 6Guest edited by B Gilmartin
Australian Poetry x Cordite Poetry
June 2023
House & Garden Renos
Australian Poetry Journal 12.2: suite, sequenceGuest edited by Emily Stewart
Australian Poetry
June 2023
3 poems
Minarets #13Edited by Chris Holdaway and Lauren Strain
Compound Press, Aotearoa
December 2022
To touch or strike a fondant ground
reading/performance by Chi Tran and Rosie Isaac for Mega-Phone Mono-Poly, Liquid Architecture,Bus Projects, West Space and Collingwood Yards courtyard
Friday December 9th, 2022
Link to event / Download text
Micröbius Tract(ion)
with Debris Facility Pty Ltdin Australian Poetry’s Best of Australian Poems 2021
Guest edited by Ellen van Neerven and Toby Fitch
December 2021
A sonorous draft; a lexicon of windjamming
Limited edition publication produced on the occassion of the exhibition at BLINDISDE Gallery, Naarm/MelbourneJune-July 2021
Micröbius Tract(ion)
with Debris Facility Pty Ltdun Magazine 15.1: SURPLUS
edited by Snack Syndicate (Andrew Brooks and Astrid Lorange)
June 2021
A list of doors and some of their potential functions
A poetic response to Briony Gallagan’s Open Every Door, Alfred Deakin Place, Ballarat, VictoriaNovember 2020
Breath Work
Lieu Journal Issue 3: PeaceAugust 2020
sonar for conception
Cordite Poetry Review: 92, NO THEME VIIIAugust 2019
Crowning’s Story, Galore
Commissioned as part of Venus in Thorns group exhibition, curated by Jake Treacy as part of Midsumma Festival 2019-20, Trocadero Art Space, Footscray, Naarm/Melbourne®
art criticism + review
Geological pit stops: Kate Hill and Isadora Vaughan
Artlink Magazine, Vol. 40, No. 1, Adelaide, South Australia, March 2020Queer Uses of Colour: A Tinted Hermeneutics
Artlink Magazine, Vol. 39, No. 1, Adelaide, South Australia, March 2019Radical Living Archives and Trans* Embodiment: Shu Lea Cheang's Brandon
Transgender Studies Quarterly Vol. 2, No. 4, Duke University Press, North Carolina (USA), November 2015My Mother’s Labour: Darcey Bella Arnold
un Extended, September 2018I, Us, Them: A dark triad, radiating out from a centre and closing in
Art+Australia Online, August 2018Residency Projects, Boorhaman, Victoria
Art+Australia Online, February 2018Cruisings of the recent TarraWarra Biennial
Art+Australia Online, November 2016Re: Sweeping Exchanges: Notes on the Feminist Body Politic
un Magazine 9.1, June 2015Danny Butt - Colonial Hospitality: Learning to Host, Learning to Visit
Guest Lecture, Sunday 24th May, 2015 for Forms of Encounter and Exchange Field School at Laughing Waters, ElthamHow's the Weather We're Having Part I - Grievous Bodily Collage
Carets and Sticks (USA)November 2014
Art After The End of Philosophy - Part II: Sreshta Rit Premnath's Storey's End
Carets and Sticks (USA)June 2014
Art After The End of Philosophy - Part I: Hito Steyerl's Adorno's Grey
Carets and Sticks (USA)June 2014
Grey / Dasein: Ontology of a Colour
Published as part of End Paper by Polar Space, 2014Partially Feigned Mysticism and Pot Shamanism: Shana Moulton at the Grand Luxe Hall, Western Front, Vancouver
Decoy Magazine (CA) June 2013
BRAIDS: Plaiting for Parity, The Way Cornrows Hug Your Head: Conversations with Rua Minx (Donna Huanca), Aja Rose Bond and Shaun Dacey at Access Gallery, Vancouver
Decoy Magazine (CA) March 2013
How Did I Get Here?: The Fronts and Means of Social Practices
Decoy Magazine (CA) January 2013
Das Platforms (AUS)
February 2013
Corroborative Spaces: Part II
Bruce Nauman: Room With My Soul Left Out, Room That Does Not Care
Das Platforms (AUS)October 2012
Corroborative Spaces: Part I
Mike Nelson: space that saw (platform for a performance in two parts)
Das Platforms (AUS)October 2012
commissions + catalogue essays
Labour as compost: Reimagining the conditions and practices of m_othering
Commissioned essay as part of Jahnne Pasco-White: KIN
Published by Art Ink and Unlikely Publishing, Melbourne/Naarm, February 2021
[read essays as part of Unlikely E-book 03]
Isadora Vaughan: Mud mapping, from bifurcation to canopy
Catalogue essay as part of Overlapping Magisteria: The 2020 Macfarlane CommissionsAustralian Centre for Contemporary Art (ACCA), 2020-21.
What alerts, alters
Publication text for There are no failures, everything is working, Artspace Aotearoa, 2019.A fontanelle opens; we figure absences
Catalogue text for A message in the collar, KINGS Artist Run Gallery, HOBIENNALE 2019, curated by Jeremy Eaton and Katie Ryan.In Material Per Versions—Part I: A Cappella for Powering Partic[ip]les
Channels Festival 2019: International Biennial of Video Art, Melbourne, August 2019In Material Per Versions—Part II: Autobiography of an Afterlife
BLINDSIDE: Satellite 2019: becoming [in]determinate, November 1, 2019 – January 31, 2020[FRAME. MIX. CRUX] - Antonia Sellbach, Frameworks
Nicholas Thompson Gallery, Melbourne July 3 – 21 2019Wild Rocks and Tamed Pathways: Christine Willcocks
Flinders Lane Gallery, MelbourneJuly 18 – August 5 2017
Thirty Million Carbon Stories, Stacked to Slender Crest (on the exhibition COAL by Hartmut Veit)
Victorian College of the Arts, Melbourne, February 15-17 2017the scribe notes, slight: a conversation between Abbra Kotlarczyk and Kate Hill
Bus Projects, May 2016Layers of contingency, or, the dusting of modern timepieces: James Carey
KINGS Artist Run Gallery, MelbourneOctober 2015
KORE Belief Systems: Ben Sendy-Smithers
KINGS Artist Run Gallery, Melbourne September 2015
Some of them got the first look
KINGS Artist Run Gallery, Melbourne July 2015
