BOOKS   𓇢𓆸

AUTOBIOGRAPHY OF GRAVITY, Słoma Press (2026)   𓇢𓆸  anti-aria for ater-, self published (2024)  𓇢𓆸  A Sonorous draft; a lexicon of windjamming, self published (2021)  𓇢𓆸

POEMS  𓇢𓆸

Bed Bound Season (Bildwanderung Ensemble), ARTERY Magazine No. 4  𓇢𓆸   CASSANDRA, Loom Literary Journal No. 2: CUT!  𓇢𓆸  ROMA, Sick Leave: The Long Poem  𓇢𓆸  ANNA, Cordite Poetry Review 120: DIALOGUE  𓇢𓆸  Spit / Bitten, Island Magazine 178  𓇢𓆸 Eponymous Tree [excerpt], Plumwood Mountain Journal Vol. 12 No. 1: The Braided Gift  𓇢𓆸  Eponymous Tree [excerpt], dSCRIBE18: Spiralling  𓇢𓆸  The Architecture of Beginning or Ending Anyway, Australian Poetry Journal 13.2: desire  𓇢𓆸  Hair Tie Season, Australian Poetry Journal 13.1: place, no place  𓇢𓆸  THE NEW GAY SCIENCE, Cordite Poetry Review 111: BABY  𓇢𓆸  My Kathy Acker, Best of Australian Poems (2023) & Tell Me Like You Mean It No. 6, Cordite Poetry Review x Australian Poetry  𓇢𓆸   Pruning Season, No No No 4., No More Poetry   𓇢𓆸  House & Garden Renos, Australian Poetry Journal 12.2: suite, sequence  𓇢𓆸  VIRIDITAS / little big scrub poem, Overland Literary Journal No. 249  𓇢𓆸  3 poems, Minarets No. 13, Compound Press  𓇢𓆸  inside the well and the womb is a flotsam and jetsam for how the times float, and are thrown in Just Guzzling: Gabriel Curtin, Vre Books & Firstdraft Gallery  𓇢𓆸   Micröbius Tract(ion) with Debris Facility, Best of Australian Poems (2021) 𓇢𓆸  Micröbius Tract(ion) with Debris Facility, un Magazine 15.1: Surplus  𓇢𓆸  Breath Work, Lieu Journal No 3: Peace  𓇢𓆸  A list of doors and some of their potential functions for Briony Galligan’s Open Every Door, Alfred Deakin Place, Ballarat  𓇢𓆸 Crowning’s Story, Galore for Venus in Thorns, Trocadero Artspace  𓇢𓆸  Sonar for Conception, Cordite Poetry Review 92: NO THEME VIII 𓇢𓆸

PROSE 𓇢𓆸

‘To be a child is to be human’: Abbra Kotlarczyk in conversation with Ender Başkan, Cordite Poetry Review 119: FIT  𓇢𓆸   Sensoria Against Separation, Gertrude Emerging Writers Program, Gertrude Contemporary 𓇢𓆸  Labour as Compost: Reimagining the conditions and practices of m_othering in Jahnne Pasco-White: Kin, Unlikely Journal & Art Ink  𓇢𓆸   Isadora Vaughan: Overlapping Magisteria, the 2020 Macfarlane Commissions, Australian Centre for Contemporary Art (ACCA)  𓇢𓆸   Geological Pit Stops: Kate Hill and Isadora Vaughan, Artlink Magazine, Vol. 40, No. 1: It’s Time  𓇢𓆸   Queer Uses of Colour: A Tinted Hermeneutics, Artlink Magazine, Vol. 39, No. 1: Local Colour  𓇢𓆸 What alerts, alters in There are no failures, everything is working, Artspace Aotearoa  𓇢𓆸  A fontanelle opens; we figure absences in A message in the collar, KINGS Artist Run Gallery at HOBIENNALE   𓇢𓆸  In Material Per Versions, Part I: A Cappella for Powering Partic[ip]les, Channels Festival 2019: International Biennial of Video Art  𓇢𓆸   In Material Per Versions, Part II: Autobiography of an Afterlife, program catalogue text for Satellite: becoming [in]determinate, BLINDSIDE Gallery  𓇢𓆸  [FRAME.MID.CRUX], exhibition catalogue essay for Frameworks by Antonia Sellbach, Nicholas Thompson Gallery  𓇢𓆸  My Mother’s Labour: Darcey Bella Arnold, un Extended 𓇢𓆸  I, Us, Them: A dark triad, radiating out from a centre and closing in, Art + Australia  𓇢𓆸   Residency Projects, Boorhaman, Victoria, Art + Australia   𓇢𓆸 Thirty Million Carbon Stories, Stacked to Slender Crest: on the exhibition COAL by Hartmut Veit, catalogue essay, Victorian College of the Arts  𓇢𓆸 Wild Rocks and Tamed Pathways: Christine Willcocks, catalogue essay, Flinders Lane Gallery   𓇢𓆸  Cruisings of the recent TarraWarra Biennial, Art + Australia  𓇢𓆸  the scribe notes, slight: Abbra Kotlarczyk + Kate Hill in conversation, exhibition catalogue, Bus Projects  𓇢𓆸  Radical Living Archives and Trans* Embodiment: Shu Lea Cheang’s Brandon, Transgender Studies Quarterly, Duke University Press 𓇢𓆸  Re: Sweeping Exchanges: Notes on the Feminist Body Politic, un Magazine 9.1 𓇢𓆸   Layers of contingency, or, the dusting of modern timepieces: James Carey, exhibition catalogue essay, KINGS Artist Run Gallery 𓇢𓆸   KORE Belief Systems: Ben Sendy-Smithers, exhibition catalogue essay, KINGS Artist Run Gallery 𓇢𓆸 Some of them got the first look, exhibition catalogue essay, KINGS Artist Run Gallery  𓇢𓆸   How's the Weather We're Having: Part I Grievous Bodily Collage, Carets and Sticks  𓇢𓆸  Grey / Dasein: Ontology of a Colour, End Paper by Polar Space 𓇢𓆸   Art After The End Of Philosophy. Part I : Hito Steyerl's Adorno's Grey, Carets & Sticks   𓇢𓆸  Partially Feigned Mysticism and Pot Shamanism: Shana Moulton at The Western Front Society, Decoy Magazine  𓇢𓆸  Braids: Plaiting For Parity, The Way Cornrows Hug Your Head - Conversations with Rua Minx (Donna Huanca), Aja Rose Bond and Shaun Dacey at Access Gallery, Decoy Magazine  𓇢𓆸  How Did I Get Here?: The Fronts and Means of Social Practices, Decoy Magazine  𓇢𓆸  Corroborative Spaces: Part I - Mike Nelson, space that saw (platform for a performance in two parts), Das Platforms   𓇢𓆸  Corroborative Spaces: Part II - Bruce Nauman Room With My Soul Left Out, Room That Does Not Care, Das Platforms  𓇢𓆸  Antithesis in Art: The Case for Counter-Iconoclasm, Criterion Magazine  𓇢𓆸  The Link Between Objects and Their Ideas, Criterion Magazine  𓇢𓆸  The Orientations of Artists in the C21st and the Dying Archetype of Romantic Struggle, Criterion Magazine  𓇢𓆸  Human Bonds in the Fluid World: Modern Ideologies of Land and Water - Upstream Gallery, The Netherlands, Criterion Magazine  𓇢𓆸