commissions + catalogue essays
In Material Per Versions—Part I: A Cappella for Powering Partic[ip]les
Channels Festival 2019: International Biennial of Video Art, Melbourne, August 2019
[FRAME. MIX. CRUX] - Antonia Sellbach, Frameworks
Nicholas Thompson Gallery, Melbourne July 3 – 21 2019
Wild Rocks and Tamed Pathways: Christine Willcocks
Flinders Lane Gallery, Melbourne
July 18 – August 5 2017
Thirty Million Carbon Stories, Stacked to Slender Crest (on the exhibition COAL by Hartmut Veit)
Victorian College of the Arts, Melboure February 15-17 2017
the scribe notes, slight: a conversation between Abbra Kotlarczyk and Kate Hill
Bus Projects, May 2016
Layers of contingency, or, the dusting of modern timepieces: James Carey
KINGS Artist Run Gallery, Melbourne
October 2015
KORE Belief Systems: Ben Sendy-Smithers
KINGS Artist Run Gallery, Melbourne
September 2015
Some of them got the first look
KINGS Artist Run Gallery, Melbourne July 2015
Channels Festival 2019: International Biennial of Video Art, Melbourne, August 2019
[FRAME. MIX. CRUX] - Antonia Sellbach, Frameworks
Nicholas Thompson Gallery, Melbourne July 3 – 21 2019
Wild Rocks and Tamed Pathways: Christine Willcocks
Flinders Lane Gallery, Melbourne
July 18 – August 5 2017
Thirty Million Carbon Stories, Stacked to Slender Crest (on the exhibition COAL by Hartmut Veit)
Victorian College of the Arts, Melboure February 15-17 2017
the scribe notes, slight: a conversation between Abbra Kotlarczyk and Kate Hill
Bus Projects, May 2016
Layers of contingency, or, the dusting of modern timepieces: James Carey
KINGS Artist Run Gallery, Melbourne
October 2015
KORE Belief Systems: Ben Sendy-Smithers
KINGS Artist Run Gallery, Melbourne
September 2015
Some of them got the first look
KINGS Artist Run Gallery, Melbourne July 2015