commissions + catalogue essays
Labour as compost: Reimagining the conditions and practices of m_othering
Commissioned essay as part of Jahnne Pasco-White: KIN
Published by Art Ink and Unlikely Publishing, Melbourne/Naarm, February 2021
[read essays as part of Unlikely E-book 03]
Isadora Vaughan: Mud mapping, from bifurcation to canopy
Catalogue essay as part of Overlapping Magisteria: The 2020 Macfarlane CommissionsAustralian Centre for Contemporary Art (ACCA), 2020-21.
What alerts, alters
Publication text for There are no failures, everything is working, Artspace Aotearoa, 2019.A fontanelle opens; we figure absences
Catalogue text for A message in the collar, KINGS Artist Run Gallery, HOBIENNALE 2019, curated by Jeremy Eaton and Katie Ryan.In Material Per Versions—Part I: A Cappella for Powering Partic[ip]les
Channels Festival 2019: International Biennial of Video Art, Melbourne, August 2019In Material Per Versions—Part II: Autobiography of an Afterlife
BLINDSIDE: Satellite 2019: becoming [in]determinate, November 1, 2019 – January 31, 2020[FRAME. MIX. CRUX] - Antonia Sellbach, Frameworks
Nicholas Thompson Gallery, Melbourne July 3 – 21 2019Wild Rocks and Tamed Pathways: Christine Willcocks
Flinders Lane Gallery, MelbourneJuly 18 – August 5 2017
Thirty Million Carbon Stories, Stacked to Slender Crest (on the exhibition COAL by Hartmut Veit)
Victorian College of the Arts, Melbourne, February 15-17 2017the scribe notes, slight: a conversation between Abbra Kotlarczyk and Kate Hill
Bus Projects, May 2016Layers of contingency, or, the dusting of modern timepieces: James Carey
KINGS Artist Run Gallery, MelbourneOctober 2015
KORE Belief Systems: Ben Sendy-Smithers
KINGS Artist Run Gallery, Melbourne September 2015