commissions + catalogue essays  

Labour as compost: Reimagining the conditions and practices of m_othering
Commissioned essay as part of Jahnne Pasco-White: KIN
Published by Art Ink and Unlikely Publishing, Melbourne/Naarm, February 2021
[read essays as part of Unlikely E-book 03]

Isadora Vaughan: Mud mapping, from bifurcation to canopy

Catalogue essay as part of Overlapping Magisteria: The 2020 Macfarlane Commissions
Australian Centre for Contemporary Art (ACCA), 2020-21.

What alerts, alters 

Publication text for There are no failures, everything is working, Artspace Aotearoa, 2019.

A fontanelle opens; we figure absences

Catalogue text for A message in the collar, KINGS Artist Run Gallery, HOBIENNALE 2019, curated by Jeremy Eaton and Katie Ryan.

In Material Per Versions—Part I: A Cappella for Powering Partic[ip]les

Channels Festival 2019: International Biennial of Video Art, Melbourne, August 2019

In Material Per Versions—Part II: Autobiography of an Afterlife

BLINDSIDE: Satellite 2019: becoming [in]determinate, November 1, 2019 – January 31, 2020

[FRAME. MIX. CRUX] - Antonia Sellbach, Frameworks

Nicholas Thompson Gallery, Melbourne July 3 – 21 2019

Wild Rocks and Tamed Pathways: Christine Willcocks

Flinders Lane Gallery, Melbourne
July 18 – August 5 2017

Thirty Million Carbon Stories, Stacked to Slender Crest (on the exhibition COAL by Hartmut Veit)

Victorian College of the Arts, Melbourne, February 15-17 2017 

the scribe notes, slight: a conversation between Abbra Kotlarczyk and Kate Hill

Bus Projects, May 2016

Layers of contingency, or, the dusting of modern timepieces: James Carey

KINGS Artist Run Gallery, Melbourne
October 2015

KORE Belief Systems: Ben Sendy-Smithers

KINGS Artist Run Gallery, Melbourne
September 2015

Some of them got the first look

KINGS Artist Run Gallery, Melbourne July 2015