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Writing—
poetry
[published]
Writing—
art criticism + review [published]
Queer Uses of Colour: A Tinted Hermeneutics 
Artlink Magazine, Vol. 39, No. 1, Adelaide, South Australia, March 2019


Radical Living Archives and Trans* Embodiment: Shu Lea Cheang's Brandon
Transgender Studies Quarterly Vol. 2, No. 4, Duke University Press, North Carolina (USA), November 2015


My Mother’s Labour: Darcey Bella Arnold
un extended, September 2018


I, Us, Them: A dark triad, radiating out from a centre and closing in Art+Australia Online, August 2018

Residency Projects, Boorhaman, Victoria
Art+Australia Online, February 2018


Cruisings of the recent TarraWarra Biennial
Art+Australia Online, November 2016


Re: Sweeping Exchanges: Notes on the Feminist Body Politic
un magazine 9.1, June 2015


Danny Butt - Colonial Hospitality: Learning to Host, Learning to Visit Guest Lecture, Sunday 24th May, 2015 for Forms of Encounter and Exchange Field School at Laughing Waters, Eltham

How's the Weather We're Having Part I - Grievous Bodily Collage
Carets and Sticks (USA)
November 2014


Art After The End of Philosophy - Part II: Sreshta Rit Premnath's Storey's End
Carets and Sticks (USA)
June 2014


Art After The End of Philosophy - Part I: Hito Steyerl's Adorno's Grey
Carets and Sticks (USA)
June 2014


Grey / Dasein: Ontology of a Colour Published as part of End Paper by Polar Space, 2014

Partially Feigned Mysticism and Pot Shamanism: Shana Moulton at the Grand Luxe Hall, Western Front, Vancouver
Decoy Magazine (CA)
June 2013


BRAIDS: Plaiting for Parity, The Way Cornrows Hug Your Head: Conversations with Rua Minx (Donna Huanca), Aja Rose Bond and Shaun Dacey at Access Gallery, Vancouver
Decoy Magazine (CA)
March 2013


How Did I Get Here?: The Fronts and Means of Social Practices
Decoy Magazine (CA)
January 2013
Das Platforms (AUS)
February 2013


Corroborative Spaces: Part II
Bruce Nauman: Room With My Soul Left Out, Room That Does Not Care

Das Platforms (AUS)
October 2012


Corroborative Spaces: Part I
Mike Nelson: space that saw (platform for a performance in two parts)

Das Platforms (AUS)
October 2012


Writing—
commissions + catalogue essays  
In Material Per Versions—Part I: A Cappella for Powering Partic[ip]les
Channels Festival 2019: International Biennial of Video Art, Melbourne, August 2019


[FRAME. MIX. CRUX] - Antonia Sellbach, Frameworks
Nicholas Thompson Gallery, Melbourne July 3 – 21 2019

Wild Rocks and Tamed Pathways: Christine Willcocks

Flinders Lane Gallery, Melbourne
July 18 – August 5 2017



Thirty Million Carbon Stories, Stacked to Slender Crest (on the exhibition COAL by Hartmut Veit)
Victorian College of the Arts, Melboure February 15-17 2017



the scribe notes, slighta conversation between Abbra Kotlarczyk and Kate Hill
Bus Projects, May 2016



Layers of contingency, or, the dusting of modern timepieces: James Carey
KINGS Artist Run Gallery, Melbourne
October 2015 


KORE Belief Systems: Ben Sendy-Smithers
KINGS Artist Run Gallery, Melbourne
September 2015


Some of them got the first look
KINGS Artist Run Gallery, Melbourne
July 2015